The "Early Music Review" introduces Catherine Zimmer and her recording "Airs d'opéra..." in its release of April.
"She plays on a harpsichord by Martine Argellies after Goujon, and makes good use of its variety of colours with some sensitive registration. A good introduction to the late French harpsichord music, played with a sense of fun and on its ownstages of terms." Noel O'Regan